I could have gone with Zenith. Either way, we be done.
End-of-the-month blogging commentary. [Previous]
So, how was the A To Z Challenge?
Writing The Letters
Pluses:
I was planning to write 30 posts anyway, 4 more than required by the challenge. No extra stress there.
The letters gave me a framework instead of having to bash around in my head for inspiration.
I did posts that I never would have done otherwise: A-list, Ivy League, Hashtag. For others, I jimmied the titles to fit posts I had already planned: Georgia, Hashtag, today.
Minuses:
Now that I had the framework, could I come up with a idea for each letter? I’m looking at you, Q and X.
Then I had to wonder if the idea in question was bloggable or did it just match the letter?
I would probably have written more about my activities of daily living this month if I had not been constrained by the letters. Whether that is good or bad, I’m not the one to judge.
Verdict:
Would I do it next year? Probably not for Rodney’s Saga. Maybe for Off Topic, if I’m still blogging [Planning*]. That would mean 30 regular Rodney’s Saga posts with the addition of alphabetical, near-daily Off Topic posts. 56 posts. That would be a challenge.
What I would have done differently:
Used thumbnail versions of the letter badges instead of full-size ones. They really are quite bold. By the time the switch occurred to me, we were at G. I went for consistency over convenience. I badged each post because the sidebar changes over time. Now these posts are forever marked as AtoZ posts.
Visiting Other Blogs
The second goal of the A To Z Challenge is to visit X number of other blogs also doing the challenge. Despite a late rally once I had the last few letters scheduled, I failed at this for any reasonable value of X. I’m a bad blogging community supporter, this month and every month. One side effect of being a freelance writer as well as a daily blogger is that after a little paying work and a lot of blogging work, my psyche needs to look at something other than a computer screen.
I do read some other blogs. Here are two I found this month, neither of which are AtoZ:
Does It End Ok: A Blog For My Mother. Short to hyper-short reviews of movies that tells whether the movie is an upper or a downer. Us sensitive types appreciate not being surprised. Despite being an Browncoat sympathizer, I refused to see Joss Whedon’s Cabin in the Woods until someone told me what happened.
On the other hand, recommendations are worth the electrons they are printed on. For example, I read both a blogger and a web comic religiously. I like the writing. I have stolenborrowed liberated ideas/administrative tips for my blog. You would think that our tastes would coincide. Not so much. The authors/bloggers or web comics they recommend bore me to the point that now avoid what they extoll. In other words, I like these two blogs. Your mileage may vary.
*Truly, I have no wish to stop blogging. I just see myself running low on ideas. Unless the universe provides further content. Happy content. The kind that is less interesting to read but more fun to live through. Shiny.
Every day, new books appear on shelves both physical and virtual, but how do they get there? Most readers don’t know and don’t care. They just want a book that fills their need—be it a page-turning thriller, a compelling memoir, or even a manual on how to restore the 1967 Dodge Dart they inherited from Great Uncle Joe.
But no matter how books reach bookshelves, there’s a lot that goes on beneath the publishing hood—editing, cover design, formatting, promotion, marketing, and distribution—that readers never see. And neither did most authors until they found themselves doing it … for themselves.
The recent book publishing revolution is too lengthy and complicated to explain here; just know that authors now have choices: pursue a trade publishing deal with big houses such as Penguin Random House, Simon & Schuster, and HarperCollins, or plunge into the wild and woolly world of self-publishing. Some authors end up doing both.
Like I did.
My women’s fiction has been published by Macmillan; my earlier kids’ books by Weekly Reader and Troll/Scholastic. And now I’m going the DIY route with a series of books for horse-crazy girls. It helps, enormously, that I’m also a book designer and typesetter. But while I can design my own covers, typeset and format the books (both print and e-books), I rely on experienced editors to whip my words into shape.
This takes care of editing, cover design, and book formatting. But there’s a lot more that still needs to happen … and when you’re a bit stumped and feeling overwhelmed about publicizing your book, it really helps to have a network. Sometimes, it’s as simple as paying it forward.
Let me explain …
I love helping other writers I’ve gotten to know (mostly on-line), guiding them through the oddball intricacies of page layout and e-book formatting. Think HTML and CSS … all that weird code that lurks beneath web pages, smart phones, and tablets—the stuff ordinary mortals don’t want to look at.
And while I was doing this (and loving it because I’m geeky that way), few of the people I was doing it for were able to turn around and help me. They wanted to, but they had nothing to offer, except money, which I always refused because that can change a friendship in ways you cannot predict.
At some point, I figured someone I didn’t even know might step in to help me out. But on days when things went wrong around here (the car wouldn’t start, my oven self-destructed, and the bathing suit I mail-ordered did not transform me into a cover girl), I got a wee bit disgruntled, wondering when it would be my turn to get free help.
That moment arrived five days ago.
Via a couple of online writers’ groups, I connected with Steven Whibley, a super nice guy in Canada who writes middle-grade fiction, as do I, except Steve is writing action/adventure and I’m writing books for horse-crazy girls. But our goals are the same. We want to get our books in front of the kids who want to read them, and we especially want to get our books into libraries.
However, there are gatekeepers involved: librarians.
Most of them buy books exclusively from distributors (such as Ingram and Baker & Taylor) and if they don’t know about your books, they can’t buy them. So first, you need to get your books into those distribution channels and then you need to spread the word. It’s not easy for indie authors, but it can be done, and Steve has nailed it.
Generously, he has shared his marketing ideas, his sales sheets, and his methods with me. Over the past several days I’ve learned how independent authors should approach public and school libraries, the ins and outs of Overdrive (the e-book distributor that most libraries use), and what works (and doesn’t) when dealing with this particular slice of the book publishing pie.
So, thank you Steve.
In return, I have nothing to give him except my profound appreciation, a link to his web site, and the hopes that, at some point, someone will pay it forward to Steve.
* * * Maggie Dana is an award-winning author who writes women’s fiction and books for horse-crazy girls. Born and raised in London, Maggie now makes her home on the Connecticut shoreline. Her latest Timber Ridge Riders book, DOUBLE FEATURE, is available on Amazon, B&N, iTunes, and Kobo. For more information about the series, please visit Timber Ridge Riders.
Maggie & Smokey
Steven Whibley is a father, a husband, and the author of several middle grade and young adult novels. He has lived in Japan; volunteered in Thailand, Myanmar and Colombia; explored the ruins of Tikal, Angkor Wat, and Cappadocia; and swum with sharks in Belize. His latest novel, DISRUPTION, is available everywhere (including Amazon, B&N, Kobo and iTunes). To find out more about Steve and his novels, please check out www.stevenwhibley.com.
Ellen, author of The Chronicles of the $700 Pony [Half Halt 2006] & The Further Adventures of the $700 Pony [Half Halt 2008], is now living the ex-pat life and touring the world with her family.
My Horse Shopping Fairy Godmother [HHPR#1] offered to look at some horses at a off-track Thoroughbred recycling facility. She asked me which ones I liked on the website. I dunno. All of them? A horse that will solve my problems & then fart rainbows? The grinding wheels of time and despair have rendered me useless on the subject.
Here’s what my long-suffering groundperson had to say:
“Tell her you don’t care about looks (except brown, TB, and 1/2 the boy bits underneath). Tell her you want inquisitive (smart) boys built uphill and don’t pull like a freight train under saddle. Move towards a jump rather than away when presented with the option (either under saddle or in hand) Height of jump not important. Attitude towards jump important. Willing to walk on a long rein without help from rider. Remind her that you are an amateur, not very complicated, and can’t dance, so rhythm and spots are not your forte. Oh, and are likely to go “AAAAAHHHHH, you fix”, every 15th to 20th fence. He doesn’t have to do all 15 fences alone. Just one out of 15. (Often fence 4 or 5 on course after the first few have gone well).”